The Lion, the Witch and the Wardrobe

The Lion, the Witch
and the Wardrobe  

Cover of 1950 first edition (hardcover)
Author(s) C.S. Lewis
Original title The Lion. The Witch and the Wardrobe
Translator LWW
Illustrator Pauline Baynes
Cover artist Pauline Baynes
Country United Kingdom
Language English
Series The Chronicles of Narnia
Genre(s) Fantasy, children's literature
Publisher Geoffrey Bles
Publication date 16 October 1950
Media type Print (hardcover and paperback)
Pages 208 (modern hardcover)
ISBN ISBN 0-06-023481-4 (modern hardcover)
OCLC Number 28291231
Dewey Decimal [Fic] 20
LC Classification PZ7.L58474 Li 1994
Followed by Prince Caspian

The Lion, the Witch and the Wardrobe is a fantasy novel for children by C. S. Lewis. Published in 1950 and set circa 1940, it is the first-published book of The Chronicles of Narnia and is the best known book of the series. Although it was written and published first, it is second in the series' internal chronological order, after The Magician's Nephew. Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.[1] It has also been published in 47 foreign languages.[2]

Lewis dedicated the book to his god-daughter, Lucy Barfield.

Contents

Plot summary

The story begins in 1940 during World War II, when four siblings--Peter, Susan, Edmund, and Lucy Pevensie--are evacuated from London to escape the Blitz. They are sent to live with Professor Digory Kirke, who lives in a country house in the English countryside.

While the four children are exploring the house, Lucy looks into a wardrobe and discovers a doorway to a magical world named Narnia. There she meets a faun named Mr Tumnus. He invites her to have tea in his home. There he confesses he planned to report her to the pretend queen of Narnia, otherwise known as the White Witch but has thought better of it. Upon returning to our world, Lucy's siblings do not believe her story about Narnia. Her older brother Edmund enters the wardrobe and meets the White Witch, who befriends him and offers him magical Turkish delight which enchants him. She encourages him to bring his siblings to her in Narnia, with the promise that he shall rule over them. Edmund returns with Lucy to the Professor's house, having met her in Narnia. But after returning he lies to Peter and Susan: he denies Lucy's claim that Narnia lies behind the wardrobe.

Eventually all four of the children enter Narnia together while hiding in the wardrobe. They meet Mr. and Mrs. Beaver, who invite them to dinner. The beavers recount a prophecy that the witch's power will fall when two Sons of Adam and two Daughters of Eve fill the four thrones at Cair Paravel. The beavers tell of the true king of Narnia, a great lion named Aslan who has been absent for many years but is now "on the move again."

Edmund sneaks away to the White Witch. Her castle is filled with stone statues--enemies she has petrified. The beavers realize where Edmund has gone and abandon their home, leading the children to Aslan. As they travel, they notice that the snow is melting, indicating that the White Witch's spell is breaking. A visit by Father Christmas confirms this. Father Christmas gives the three children and the beavers presents. Peter receives a sword and shield, Susan a horn and bow, Lucy a vial of magical healing liquid, Mrs. Beaver a sewing machine and Mr. Beaver's dam was finally finished.

The children and the Beavers meet with Aslan and his army. Peter engages in his first battle, killing a wolf who threatens Susan.

The Witch approaches to speak with Aslan, insisting that according to "deep magic from the dawn of time" she has the right to execute Edmund as a traitor. Aslan speaks with her privately and persuades her to renounce her claim on Edmund's life. That evening, Aslan secretly leaves the camp, but is followed by Lucy and Susan. Aslan has bargained to exchange his own life for Edmund's. The Witch ties Aslan to the Stone Table and then kills him with a knife. The following morning Aslan is restored to life.

Aslan allows Lucy and Susan to ride on his back as he hurries to the Witch's castle. There he breathes upon the statues, restoring them to life. Peter and Edmund lead the Narnian army in a battle against the White Witch's army but are losing. Aslan arrives with the former statues as reinforcements. The Narnians rout the evil army, and Aslan kills the Witch.

The Pevensie children are named kings and queens of Narnia: King Peter the Magnificent, Queen Susan the Gentle, King Edmund the Just and Queen Lucy the Valiant. Several years later, now adults and mounted on horseback, the siblings go hunting for a White Stag. They see the lamppost and go towards it. Just beyond the lamppost, branches become coats. The siblings are back in the wardrobe and are children again. They reenter the Professor's house.

Chapters

  1. Lucy Looks into a Wardrobe
  2. What Lucy Found There
  3. Edmund and the Wardrobe
  4. Turkish Delight
  5. Back on This Side of the Door
  6. Into the Forest
  7. A Day with the Beavers
  8. What Happened After Dinner
  9. In the Witch's House
  10. The Spell Begins to Break
  11. Aslan is Nearer
  12. Peter's First Battle
  13. Deep Magic from the Dawn of Time
  14. The Triumph of the Witch
  15. Deeper Magic from Before the Dawn of Time
  16. What Happened about the Statues
  17. The Hunting of the White Stag

Character list

Writing

Lewis described the origin of The Lion, the Witch and the Wardrobe in an essay entitled It All Began with a Picture [4]:

"The Lion all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself: 'Let's try to make a story about it.'"

Shortly before World War II, many children were evacuated from London to the English countryside to escape attacks on London by Nazi Germany. On 2 September 1939 three school girls: Margaret, Mary and Katherine,[5] came to live at The Kilns in Risinghurst, Lewis's home three miles east of Oxford city centre. Lewis later suggested that the experience gave him a new appreciation of children and in late September[6] he began a children's story on an odd sheet which has survived as part of another manuscript:

"This book is about four children whose names were Ann, Martin, Rose and Peter. But it is most about Peter who was the youngest. They all had to go away from London suddenly because of Air Raids, and because Father, who was in the Army, had gone off to the War and Mother was doing some kind of war work. They were sent to stay with a kind of relation of Mother's who was a very old professor who lived all by himself in the country." [7]

How much more of the story Lewis then wrote is uncertain. Roger Lancelyn Green thinks that he might even have completed it. In September 1947 C. S. Lewis wrote in a letter about stories for children: "I have tried one myself but it was, by the unanimous verdict of my friends, so bad that I destroyed it."[8]

In August 1948, during the visit of the American writer Chad Walsh, Lewis vaguely talked about completing a children's book which he had begun "in the tradition of E. Nesbit".[9] After this conversation not much happened – until the beginning of the next year. Then everything changed.

In his essay It All Began With a Picture C. S. Lewis continues: "At first I had very little idea how the story would go. But then suddenly Aslan came bounding into it. I think I had been having a good many dreams of lions about that time. Apart from that, I don't know where the Lion came from or why he came. But once he was there, he pulled the whole story together, and soon he pulled the six other Narnian stories in after him.":[10]

On 10 March 1949 Roger Lancelyn Green dined with him at Magdalen College. After the meal, Lewis read two chapters from his new children's story to Green. Lewis asked Green's opinion of the tale, and Green thought it was good. The manuscript of The Lion, the Witch and the Wardrobe was complete by the end of March 1949. Lucy Barfield received it by the end of May.[11] When on 16 October 1950 Geoffrey Bles in London published the first edition, three new Chronicles – Prince Caspian, The Voyage of the Dawn Treader and The Horse and His Boy – had also been completed.

Illustrations

Lewis’s publisher, Geoffrey Bles allowed him to choose the illustrator for the novel and the Narnia series. His choice was Pauline Baynes, possibly as a result of J. R. R. Tolkien’s recommendation. Baynes had greatly impressed Tolkien with her illustrations for his Farmer Giles of Ham (1949). However Baynes claimed that Lewis learned about her work after going into a bookshop and asking for a recommendation of an illustrator who was skilled at portraying both humans and animals. In December 1949 Geoffrey Bles showed Lewis the first drawings for the novel and Lewis sent Baynes a note congratulating her, particularly on the level of detail. Lewis’s appreciation of the illustrations is evident in a letter Lewis wrote to Baynes after The Last Battle won the Carnegie Medal for best Children’s book of 1956: “is it not rather ‘our’ medal? I’m sure the illustrations were taken into account as well as the text".[12]

The British edition of the novel had 43 illustrations. American editions generally had fewer. The popular United States paperback edition published by Collier between 1970 and 1994, which sold many millions, had only 17 illustrations, many of them severely cropped from the originals, giving many readers in that country a very different experience when reading the novel. All the illustrations were restored for the 1994 worldwide HarperCollins edition, although these lacked the clarity of early printings.[13]

Reception

Lewis very much enjoyed writing The Lion, the Witch and the Wardrobe and embarked on the sequel Prince Caspian soon after finishing the first novel. He completed the sequel in less than a year, by the end of 1949. The Lion, the Witch and the Wardrobe had not been widely released until 1950; thus his initial enthusiasm did not stem from favourable reception by the public.[14]

While Lewis is known today on the strength of the Narnia stories as a highly successful children’s writer, the initial critical response was muted. At the time it was fashionable for children’s stories to be realistic: fantasy and fairy tales were seen as indulgent, appropriate only for very young readers, and potentially harmful to older children, even hindering their ability to relate to everyday life. Some reviewers thought the tale overtly moralistic, or the Christian elements over-stated — attempts to indoctrinate children. Others were concerned that the many violent incidents might frighten children.[15]

Lewis’s publisher, Geoffrey Bles, feared that the Narnia tales would not sell and might damage Lewis’s reputation and affect sales of his other books. Nevertheless the novel and its successors were highly popular with young readers, and Lewis’s publisher was soon anxious to release further Narnia stories.[16]

The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923.[17]

Allusions

Professor Kirke is based on W.T. Kirkpatrick, who tutored a 16-year-old Lewis. "Kirk," as he was sometimes called, taught the young Lewis much about thinking and communicating clearly, skills that would be invaluable to him later.[18]

Narnia is caught in endless winter that has lasted a century when the children first enter. Norse tradition mythologises a "great winter," known as the Fimbulwinter, said to precede Ragnarök. The trapping of Edmund by the White Witch is reminiscent of the seduction and imprisonment of Kay by The Snow Queen in Hans Christian Andersen's novella of that name.[19]

The dwarves and giants are found in Norse mythology; fauns, centaurs, minotaurs and dryads derive from Greek mythology. Father Christmas, of course, was part of popular English folklore.

The main story is an allegory of Christ's crucifixion:[20] Aslan sacrifices himself for Edmund, a traitor who may deserve death, in the same way that Christians believe Jesus sacrificed himself for sinners. The cross may be suggested by the Stone Table (reminiscent of Neolithic dolmens). As with the Christian Passion, it is women (Susan and Lucy) who tend Aslan's body after he dies and are the first to see him after his resurrection. The significance of the death contains elements of both the ransom theory of atonement and the satisfaction theory: Aslan suffers Edmund's penalty (satisfaction), and buys him back from the White Witch, who was entitled to him by reason of his treachery (ransom). In Christian tradition, Christ is associated with the Biblical "Lion of Judah," mainly on the strength of Revelation 5:5.

There are several parallels between the White Witch and the immortal protagonist of H. Rider Haggard's She, a novel greatly admired by C.S. Lewis.[21]

The Story of the Amulet written by Edith Nesbit also contains scenes that can be considered as sources to sequences presenting Jadis, mostly in The Magician's Nephew.[22]

The freeing of Aslan's body from the stone table by field mice is reminiscent of Aesop's fable of "The Lion and the Mouse." In the fable, a lion catches a mouse, but the mouse persuades the lion to release him, promising that the favor would be rewarded. Later in the story, he gnaws through the lion's bonds after he has been captured by hunters. It is also reminiscent of a scene from Edgar Allan Poe's story "The Pit and the Pendulum," in which a prisoner is freed when rats gnaw through his bonds.[23]

Differences between the British and American editions

Prior to the publication of the first American edition of Lion, Lewis made the following changes.

When HarperCollins took over publication of the series in 1994, they used the British edition for all subsequent editions worldwide.[24]

Adaptations

The story has been adapted three times for television. The first adaptation was a ten-part serial produced by ABC Weekend Television for ITV and broadcast in 1967. In 1979, an animated TV-movie,[25] directed by Peanuts director Bill Meléndez, was broadcast and won the first Emmy Award for Outstanding Animated Program. A third television adaptation was produced in 1988 by the BBC using a combination of live actors, animatronic puppets and animation. The programme was nominated for an Emmy and won a BAFTA. It was followed by three further Narnia adaptations.

Stage adaptations include a 1984 version staged at London's Westminster Theatre, produced by Vanessa Ford Productions. The play, adapted by Glyn Robbins, was directed by Richard Williams and designed by Marty Flood.[26] The Royal Shakespeare Company did an adaptation in 1998, for which the acting edition has been published.[27] In 2003, there was an Australian commercial stage production which toured the country by Malcolm C. Cooke Productions, using both life-size puppets and human actors. It was directed by notable film director Nadia Tass, and starred Amanda Muggleton, Dennis Olsen, Meaghan Davies and Yolande Brown).[28][29]

In 2002, the Philippines' Christian-based "Trumpets Playshop" did a musical rendition that Douglas Gresham, Lewis' stepson (and co-producer of the Walden Media film adaptations), has openly declared that he feels is the closest to Lewis' intent.[30][31] It starred among others popular young Filipino singer Sam Concepcion as Edmund Pevensie[32] The book and lyrics were by Jaime del Mundo and Luna Inocian. Music was composed by Lito Villareal.

In 2005, the story was adapted for a theatrical film, co-produced by Walt Disney and Walden Media. It has so far been followed by two films, the third one co-produced by Twentieth-Century Fox and Walden Media.

Multiple audio editions have been released. The best-known consists of all the books read aloud by Michael York, Anthony Quayle, Patrick Stewart, Kenneth Branagh, Derek Jacobi, Alex Jennings, Lynn Redgrave, Ian Richardson, Claire Bloom and Jeremy Northam. However, three audio CDs in the form of "radio plays" with various actors, sound effects, and music have also been released, one by the BBC, one by Radio Theatre, and one by Focus on the Family.

In the film Shadowlands, based on Lewis' life and his marriage to Joy Gresham, there is a scene where Joy's son Douglas opens the wardrobe in Lewis' home, hoping to find Narnia, and is disappointed to find it an ordinary wardrobe.

Spoofs

1980s UK comedy show The Young Ones spoofed The Lion, The Witch & The Wardrobe in the episode Flood.[33] Punk rocker Vyvyan (Ade Edmondson) enters Narnia while playing hide-and-seek via a wardrobe and meets the White Queen and her dwarf Shirley (David Rappaport). Like Edmund in the original story the queen offers Vyvyan Turkish Delight only to be met with "No thanks. Got any kebabs?" She then demands to know who farted to which Shirley and Vyvyan squabble over who has the most ridiculous name.

See also

References

  1. ^ "All Time 100 Novels". Time. October 16, 2005. http://www.time.com/time/2005/100books/0,24459,the_lion_the_witch_and_the_wardrobe,00.html. Retrieved May 25, 2010. 
  2. ^ Glen H. GoodKnight. Narnia Editions & Translations. Last updated August 03, 2010.
  3. ^ She is mentioned by name in the notice left by Maugrim after the arrest of Tumnus in chapter 6, "Into the Forest".
  4. ^ C. S. Lewis. On Stories: And Other Essays on Literature. 1982, p. 53. ISBN 0-15-668788-7
  5. ^ Paul F. Ford. Companion to Narnia. Revised Edition. 2005, p. 106. ISBN 978-0-06-079127-8
  6. ^ Owen Dudley Edwards. British Children's Fiction in the Second World War. 2007, p. 129. ISBN 978-0-7486-1650-3
  7. ^ Roger Lancelyn Green and Walter Hooper. C. S. Lewis: A Biography. Fully Revised and Expanded Edition. 2002, p. 303. ISBN 0-00-715714-2
  8. ^ C. S. Lewis. Collected Letters: Volume 2 (1931-1949). 2004, p. 802. ISBN 0-06-072764-0. Letter to E.L. Baxter of 10 September 1947
  9. ^ Chad Walsh. C. S. Lewis: Apostle to the Skeptics. Norwood Editions. 1974, p. 10. ISBN 0-88305-779-4
  10. ^ C. S. Lewis. On Stories: And Other Essays on Literature. 1982, p. xix & 53. ISBN 0-15-668788-7. It all Began with a Picture is reprinted there from the Radio Times, 15 July 1960.
  11. ^ Walter Hooper. Lucy Barfield (1935-2003). In SEVEN; An Anglo-American Literary Review. Volume 20, 2003, p. 5. ISSN 0271-3012 "The dedication... was probably taken from Lewis's letter to Lucy of May 1949".
  12. ^ Schakel, Peter J. (2002). Imagination and the arts in C. S. Lewis: journeying to Narnia and other worlds. University of Missouri Press. pp. 30–1. ISBN 082621407X. 
  13. ^ Schakel, Peter J. (2002). Imagination and the arts in C. S. Lewis: journeying to Narnia and other worlds. University of Missouri Press. p. 32. ISBN 082621407X. 
  14. ^ Veith, Gene (2008). The Soul of Prince Caspian: Exploring Spiritual Truth in the Land of Narnia. David C. Cook. pp. 11–12. ISBN 0781445280. 
  15. ^ Veith, Gene (2008). The Soul of Prince Caspian: Exploring Spiritual Truth in the Land of Narnia. David C. Cook. p. 12. ISBN 0781445280. 
  16. ^ Veith, Gene (2008). The Soul of Prince Caspian: Exploring Spiritual Truth in the Land of Narnia. David C. Cook. p. 13. ISBN 0781445280. 
  17. ^ Grossman, Lev; Richard Lacayo (2005). "All-Time 100 Novels: The Complete List". Time. http://www.time.com/time/2005/100books/the_complete_list.html. 
  18. ^ CS Lewis Institute Resources.
  19. ^ "No sex in Narnia? How Hans Christian Andersen's "Snow Queen" problematizes C. S. Lewis's The Chronicles of Narnia. – Free Online Library". Thefreelibrary.com. http://www.thefreelibrary.com/No+sex+in+Narnia%3f+How+Hans+Christian+Andersen's+%22Snow+Queen%22...-a0211707037. Retrieved 2010-12-21. 
  20. ^ See Kathryn Lindskoog "Journey into Narnia" pp. 44-46.
    See also "C. S. Lewis: the man behind Narnia" by Beatrice Gormley p. 122
  21. ^ Wilson, Tracy V.. "Howstuffworks "The World of Narnia"". Howstuffworks.com. http://www.howstuffworks.com/narnia.htm/printable. Retrieved 2010-12-21. 
  22. ^ "C. S. Lewis And The Scholarship Of Imagination In E. Nesbit And Rider Haggard – Research and Read Books, Journals, Articles at Questia Online Library". Questia.com. http://www.questia.com/googleScholar.qst;jsessionid=MxQMhcQ1ShF0WM9n3sCkX0JX1bJnQLxHMLQnwlTYmhGwZLyJwYJY!-635994487!-1057694165?docId=5001406018. Retrieved 2010-12-21. 
  23. ^ Project Gutenberg.
  24. ^ Ford, Paul (2005). Companion to Narnia, Revised Edition. San Francisco: Harper. ISBN 0-06-079127-6.
  25. ^ The Lion, the Witch and the Wardrobe at the Internet Movie Database
  26. ^ Hooper, Walter (1998). C. S. Lewis: A Complete Guide to His Life & Works. HarperCollins. p. 960. 
  27. ^ [1] Amazon page
  28. ^ Jim Murphy (January 2, 2003). "Mythical, magical puppetry". The Age. http://www.theage.com.au/articles/2003/01/02/1041196697769.html. Retrieved December 11, 2010. 
  29. ^ Belinda Yench. "Welcome to the lion's den". The Blurb (Australian arts and Entertainment). http://www.theblurb.com.au/Issue35/LWW.htm. Retrieved December 11, 2010.  This review mistakenly identifies C. S. Lewis as the author of Alice in Wonderland
  30. ^ "Trumpets The Lion The Witch and the Wardrobe". http://www.thebachelorgirl.com/2005/218/trumpets-the-lion-the-witch-and-the-wardrobe/. Retrieved December 11, 2010. 
  31. ^ See also blog reprint of local paper article at [2]. Article in English. Blog in Filipino.
  32. ^ Rose Garcia (March 29, 2007). "Is Sam Concepcion the next Christian Bautista?". PEP (Philippine Entertainment Portal). http://www.pep.ph/news/12692/Is-Sam-Concepcion-the-next-Christian-Bautista. Retrieved December 11, 2010. 
  33. ^ The parody was noted in the review of the extended edition of the Disney film Ryan Keefer (January 1, 2007). "The Lion the Witch and the Wardrobe 4-disc extended edition (review)". http://www.dvdverdict.com/reviews/chroniclesnarnia4disc.php. Retrieved January 2, 2011.  and in an overview of the show The Young Ones John Mann (1999,2000). "The Young Ones". http://www.fountainoflanguage.com/youngones.html. Retrieved January 2, 2011. 

Further reading

External links